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Lever Harp - A29
he used the instrumental possibilities – particularly in the dialogue between the solo instrument and the orchestra – with imagination and in an unusual way
) A complete knowledge of what goes on in the various musical choirs of the orchestra is necessary for a harpist to come out with shining colours
often lapidary and adaptable with difficulty to our current didactic methods
Kengyo II: Chidori No Kyoku (Lied der Regenpfeifer) for Tenor Recorder Solo Make_Aura Lever Harp - A29
