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an examination of Bach’s compositional practices reveals that it was customary during his era to adapt or reuse musical material in new compositions
- Axel Borup-Jørgensen Fantasia Op
The “Missa in c” was so dear to Mozart that he cited it as “evidence of the reality of my vow to marry” his beloved Constanze and to complete the only half-finished mass
91mmØ - a plain gut string specifically for early stringed instruments
Buxtehude, Dieterich: Organ Works CD_Natural Horn an examination of Bach’s compositionalUrtext Critical Source Edition of the Free Organ Works
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