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Almains and Corantos for 4 viols
Examining moments where voice
fitted with Pro-Levers
and is an ideal first baroque flute for playing in ensembles at standard pitch with modern instruments
Toft: With Passionate Voice - Re-Creative Singing in 16th-Century England and Italy Instrument 2_Oboe Almains and Corantos for 4Musicians in the 16th century had a vastly different understanding of the structure and performance of music than today's performers. In order to transform inexpressively notated music into passionate declamation, Renaissance singers treated scores freely, and it was expected that each would personalize the music through various modifications, which included ornamentation. Their role was one of musical re creation rather than of simple
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