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and the picturesque nature of the unspoiled hinterland offered a real change of scenery to these painters and engravers
Eugène: The Middle Ages of Pharaonic Egypt in art and customs 106-139 Revillout
for Kyôsai was a remarkable observer of the ridiculousness of his contemporaries and did not hesitate to caricature the powerful
1290-1280 BC)
Pierre Alechinsky. Carta Canta. Histoire de l’art and the picturesque nature of"Until I'm thirty, whenever I can, I'll escape from painting. You run away. Nothing prepares the painter for solitude. He did his apprenticeship surrounded by comrades. But one day, he'll have to go into a cell," stated Pierre Alechinsky in Peintures et crits (Yves Rivire publisher, 1977). His entire work, a universe of constructed, glued, assembled papers, of old papers deafening with an outdated topicality, passes from image to text in the same ink.
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