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tel un drame bourgeois
This is why the texts and captions of this work strive to provide a contextual identity to the objects before letting the photographs speak (unpublished photos of objects mainly from private collections
far from being confined to domestic tasks
Every early spring
L'ascenseur occupe la 501. Copte tel un drame bourgeoisBetween 1978 and 1981, Sophie Calle clandestinely explored the then disused Htel du Palais d'Orsay. She chose room 501 as her base and, without any pre established method, photographed the premises, which had been abandoned for five years. During her forays, she collected objects: room numbers, guest records, messages addressed to a certain "Oddo" Forty years later, room 501 has disappeared: an elevator has taken its place. At the invitation of
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