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quoiqu'on crût fréquemment devoir tirer parti de la mythologie
the time has come to see the end of the "Beaux-Arts" model and the emergence of a committed practice
Offprint of the “Archaeological Review or collection of documents and memoirs relating to the study of monuments
Since the publication of Wladyslawa Jaworska's comprehensive work
Face à Arcimboldo. Pratique quoiqu'on crût fréquemment devoir tirerDirected by the duo M M, whose graphic work literally invites the reader to face Arcimboldo, the book combines essays by Chiara Parisi and Anne Horvath, co curators of the exhibition, with those of two Mannerism specialists, Patricia Falguires and Antonio Pinelli. It also invites Yasha David to discuss his collaboration with Pontus Hultn during the historic exhibition conceived in 1987 at the Palazzo Grassi, The Arcimboldo Effect. Donatien Grau
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