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They were part of the avant-garde movement that wanted to paint differently
Justel Pages 159 to 163 The Family Tree of Samak-Yāma from the Āl-Yāhūdu Archive Filip Vukosavović Pages 165 to 169 Zababa-šar-uṣur and the Town on the Kabar Canal Peter Zilberg
and specific value of the creations
where they were numerous and familiar to the inhabitants
Nicolas de Staël. Lumières du nord, lumières du sud. Rome They were part of theNicolas de Stal produced, during a dazzling career between 1942 and 1955, one of the freest and most recognized artistic productions of the post war period. After an abstract period, he evolved, at the time of the triumph of abstractions, towards a painting that reconnected with reality, nature and landscape, going beyond the apparent opposition between abstraction and figuration. Landscape, for Stal, is not the picturesque or the faithful description
