Le Temple de Ptah à Karnak III. La Favissa. BiGen 55. Beaux-arts Gustave Moreau's studio and to

Gustave Moreau's studio and to better understand the liberal teaching of the man who considered himself more of a ferryman than a teacher: "I am the bridge (he said) over which some of you will cross

Tino di Camaino

des bas-reliefs ou des objets révèle des femmes et des hommes qui nous racontent un fragment de leur espérance d’éternité

Pour des raisons qui trouvent leur origine dans l’inconscient collectif

Le Temple de Ptah à Karnak III. La Favissa. BiGen 55. Beaux-arts Gustave Moreau's studio and toIn December 2014, excavations near the Temple of Ptah at Karnak uncovered a favissa, a pit filled with objects, dug a few meters behind the deity's sanctuary. The pit contained thirty eight movable objects, statues, statuettes and statuary applique elements, made of limestone, graywacke, copper alloy and Egyptian frit, sometimes covered with gold. The visualization and analysis of the filling of the favissa were made possible thanks to the