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and mythology of the West find their place in the sensual poetry that constitutes his art
in order to question instead its resilience capital: a constant dynamic of adaptation that must be reactivated to escape global and harmful logics
The sources are distributed between the 22nd and 2nd centuries BC
always fueled by an unvarnished commitment to serving the weakest and a touching sincerity
Farid Belkahia. Pour une autre modernité. Gaule and mythology of the WestA key figure of the postcolonial era and a protagonist of the Casablanca School, Moroccan artist Farid Belkahia (1934 2014) forged his own language by drawing on ancestral craft traditions, far from the tabula rasa advocated by Western avant gardes. Having abandoned painting in favor of copper and then leather, he is the author of a unique body of work, in which forms of desire and desire for forms merge.
